Integrated
Advertising Project
Jour 435
Student:
____________________________
Student:
____________________________
Strategic Message
Planner Grade __________
30
percent
Print Ad Grade __________
20
percent
Radio Script Grade __________
20
percent
TV Script Grade __________
20
percent
Production Grade __________
10
percent
Project
Grade: __________
A+
= 13. A = 12. A- = 11. B+ = 10. B = 9. B- = 8. C+ = 7. C = 6. C- = 5. D+ = 4. D
= 3. D- = 2. F = 1.
A grade of "A"
generally indicates a professional IAP. A grade of "B" or "C"
generally indicates a competent IAP. A grade of "D" or "F"
generally indicates an incomplete IAP.
Terms Used on
Grading Sheets
Incomplete: Unacceptable. Not approaching professional quality.
Competent: Almost professional. Almost ready to show client.
Professional: Ready to show client.
I. Strategic Message Planner SMP Grade: _____________
|
Incomplete |
Competent |
Professional |
Comments |
Client &
Product Info |
|
|
|
|
Target
Audience |
|
|
|
|
Product
Benefits |
|
|
|
|
Current Brand
Image |
|
|
|
|
Desired Brand
Image |
|
|
|
|
Direct
Competitors & Brand Images |
|
|
|
|
Indirect
Competitors & Brand Images |
|
|
|
|
Advertising
Goal |
|
|
|
|
Strategic
Message |
|
|
|
|
Supporting
Benefits |
|
|
|
|
Format |
|
|
|
|
Grammar |
|
|
|
|
Other |
|
|
|
|
A grade of "A" generally indicates a professional
SMP. A grade of "B" or "C" generally indicates a competent
SMP. A grade of "D" or "F" generally indicates an
incomplete SMP. Please see reverse for more information.
Incomplete SMP |
Competent SMP |
Professional SMP |
Not
ready to show client, but revision could salvage. Needs copyediting. Needs
revision in two or more of the following areas. ¥
client/product information (may be
sparse) ¥
description of target audience (may
be too general or
too broad) ¥
product benefits (may be sparse,
inaccurate, generic) ¥
current brand image (may be general or
inaccurate) ¥
desired brand image (may be too
generic) ¥
direct competitors and brand images (may
be incomplete or lack
accurate images) ¥ indirect
competitors and
brand images (may be
incomplete or lack accurate
images) ¥
ad goal (may focus only on profits or
sales) ¥
strategic message (may not grow
logically from previous research; may
not fulfill ad goal and
desired brand image; may
not appeal to target) ¥
supporting benefits (may not support
strategic message) |
Almost
ready to show client. May need minor copyediting. Needs minor revision in one
or two of the following areas. ¥
client/product information (may be
sparse) ¥
description of target audience (may
be too general or
too broad) ¥
product benefits (may be sparse,
inaccurate, generic) ¥
current brand image (may be general or
inaccurate) ¥
desired brand image (may be too
generic) ¥
direct competitors and brand images (may
be incomplete or lack
accurate images) ¥ indirect
competitors and
brand images (may be
incomplete or lack accurate
images) ¥
ad goal (may focus only on profits or
sales) ¥
strategic message (may not grow
logically from previous research; may
not fulfill ad goal and
desired brand image; may
not appeal to target) ¥
supporting benefits (may not support
strategic message) |
Ready
to show client. Excellent in all 10 areas. ¥
detailed, concise, relevant client and
product information. ¥
detailed, concise, relevant description
of ad (not whole product)
target audience. ¥
detailed, concise, relevant description
of product benefits. ¥
concise, accurate current brand image. ¥
concise, accurate desired brand image. ¥
concise and accurate lists and
descriptions of direct and indirect
competitors, including
brand images. ¥
concise and accurate ad goal; goes
beyond "to sell product and
make money." ¥
compelling strategic message;
clearly grows from previous SMP
portions. ¥
compelling supporting benefits;
effectively answer the "prove
it" challenge to the strategic
message. |
Definition of Terms
for SMP
II. Print Ad Print Ad Grade: _______________
|
Incomplete |
Competent |
Professional |
Comments |
Grammar |
|
|
|
|
Headline(s) |
|
|
|
|
Swing line |
|
|
|
|
Body selling
points |
|
|
|
|
Zinger |
|
|
|
|
Slogan |
|
|
|
|
Image |
|
|
|
|
Balance |
|
|
|
|
Proportion |
|
|
|
|
Sequence |
|
|
|
|
Unity |
|
|
|
|
Emphasis |
|
|
|
|
On Message |
|
|
|
|
Creativity |
|
|
|
|
Other |
|
|
|
|
A grade of "A" generally indicates a professional
print ad. A grade of "B" or "C" generally indicates a
competent SMP. A grade of "D" or "F" generally indicates an
incomplete SMP. Please see reverse for more information.
Definition of Terms for Print Ad
Incomplete
Print Ad |
Competent
Print Ad |
Professional
Print Ad |
Revision is needed in two or more of these areas: ¥ strategic message: (fails to follow SMP) ¥ creativity (predictable; uninspired) ¥ grammar (errors aren't made for effect) ¥ headline (fails to work with visual, not
compelling and/or lacks
creativity) ¥ swing line (absent or doesn't effectively
provide a transition from headline
to body copy) ¥ body selling points (inaccurate,
don't support strategic
message and/or fail to follow
SMP) ¥ zinger (absent, lacks creativity,
repeats headline or slogan and/or
is off-message) ¥ slogan (absent, lacks creativity,
repeats headline or zinger and/or
is off-message) ¥ balance (placement of elements is
ineffective) ¥ proportion: (disproportionate size of
various elements is ineffective) ¥ sequence (eye isn't led effectively
through the ad) ¥ unity (various elements of the ad are
misgrouped; don't work
together) ¥ emphasis (design fails to call attention to
an important element) |
Minor revision needed in at least one of these
areas: ¥ strategic message: (fails to follow SMP) ¥ creativity (predictable; uninspired) ¥ grammar (errors aren't made for effect) ¥ headline (fails to work with visual, not
compelling and/or lacks
creativity) ¥ swing line (absent or doesn't effectively
provide a transition from headline
to body copy) ¥ body selling points (inaccurate,
don't support strategic
message and/or fail to follow
SMP) ¥ zinger (absent, lacks creativity,
repeats headline or slogan and/or
is off-message) ¥ slogan (absent, lacks creativity,
repeats headline or zinger and/or
is off-message) ¥ balance (placement of elements is
ineffective) ¥ proportion: (disproportionate size of
various elements is ineffective) ¥ sequence (eye isn't led effectively
through the ad) ¥ unity (various elements of the ad are
misgrouped; don't work together) ¥ emphasis (design fails to call attention to
an important element) |
Professional (ready-to-publish) quality in these
categories: ¥ strategic message: (follows SMP) ¥ creativity (original and engaging) ¥ grammar (any errors are made for
effect) ¥ headline (works with visual, compelling,
creative) ¥ swing line (effectively provides a
transition from headline to
body copy) ¥ body selling points (accurate, support
strategic message, follow SMP) ¥ zinger (creativity supplies closure; on
message) ¥ slogan (creative; on message) ¥ balance (effective placement of elements) ¥ proportion: (disproportionate size of
various elements is effective) ¥ sequence (eye is led effectively
through the ad) ¥ unity (various elements of the ad are
grouped well; they work
together) ¥ emphasis (design calls attention to
important elements) |
III. Radio Script Radio Script Grade: ______________
|
Incomplete |
Competent |
Professional |
Comments |
On Message |
|
|
|
|
Creativity |
|
|
|
|
Grammar |
|
|
|
|
Format |
|
|
|
|
Repetition of
client/product |
|
|
|
|
Conversational
tone |
|
|
|
|
Use of music
and SFX |
|
|
|
|
Content fits
length |
|
|
|
|
Understandable
production directions |
|
|
|
|
Other |
|
|
|
|
A grade of "A" generally indicates a professional script. A grade of "B" or "C" generally indicates a competent script. A grade of "D" or "F" generally indicates an incomplete script. Please see reverse for more information.
Definition of Terms
for Radio Script
Incomplete
Radio Script |
Competent
Radio Script |
Professional
Radio Script |
Revision is needed in two or more of these areas: ¥ strategic message: (fails to follow SMP) ¥ creativity (predictable; uninspired) ¥ grammar (errors aren't made for effect) ¥ format (doesn't follow two- column format
-- not easy for producer to
follow) ¥ repetition of client/product name (fails to
appear approximately 3 times
in each 30 seconds) ¥ tone (lack of conversation tone becomes
distracting) ¥ music and SFX (use of music and sound
effects are inappropriate:
off-message choices,
absent, and/or excessive) ¥ content fits length (too much or too little
content for the specified length) ¥ understandable production directions
(missing or cryptic instructions) |
Minor revision needed in at least one of these
areas: ¥ strategic message: (fails to follow SMP) ¥ creativity (predictable; uninspired) ¥ grammar (errors aren't made for effect) ¥ format (doesn't follow two- column format
-- not easy for producer to
follow) ¥ repetition of client/product name (fails to
appear approximately 3 times
in each 30 seconds ¥ tone (lack of conversation tone becomes
distracting) ¥ music and SFX (use of music and sound
effects are inappropriate:
off-message choices,
absent, and/or excessive) ¥ content fits length (too much or too little
content for the specified length) ¥ understandable production directions
(missing or cryptic instructions) |
Professional (ready-to-produce) quality in these
categories: ¥ strategic message: (follows SMP) ¥ creativity (original and engaging) ¥ grammar (any errors are made for
effect) ¥ format (clear two-column presentation) ¥ repetition of client/product name (appears
approximately 3 times in each
30 seconds) ¥ tone (engagingly conversational) ¥ music and SFX (use of music and sound
effects are appropriate:
on-message, neither
excessive or deficient) ¥ content fits length (ideas and word count
are appropriate for length) ¥ understandable production directions
(script is ready to give to producer) |
IV. TV Script TV Script Grade: _______________
|
Incomplete |
Competent |
Professional |
Comments |
On Message |
|
|
|
|
Creativity |
|
|
|
|
Grammar |
|
|
|
|
Format |
|
|
|
|
Repetition of
client/product; shows product |
|
|
|
|
Conversational
tone |
|
|
|
|
Hit and run
writing |
|
|
|
|
Use of music
and SFX |
|
|
|
|
Presence of
establishing shot |
|
|
|
|
Shot widths
vary |
|
|
|
|
Shot lengths
vary |
|
|
|
|
Content fits
length |
|
|
|
|
Understandable
production directions |
|
|
|
|
Other |
|
|
|
|
A grade of "A" generally indicates a professional script. A grade of "B" or "C" generally indicates a competent script. A grade of "D" or "F" generally indicates an incomplete script. Please see reverse for more information.
Definition of Terms for TV Script
Incomplete TV
Script |
Competent TV
Script |
Professional
TV Script |
Revision is needed in two or more of these areas: ¥ strategic message: (fails to follow SMP) ¥ creativity (predictable; uninspired) ¥ grammar (errors aren't made for effect) ¥ format (doesn't follow two- column format
-- not easy for producer to
follow) ¥ repetition of client/product name (fails to
appear approximately 3 times
in each 30 seconds) ¥ tone (lack of conversation tone becomes
distracting) ¥ hit and run writing (words don't coordinate
well with images) ¥ music and SFX (use of music and sound
effects are inappropriate:
off-message choices,
absent, and/or excessive) ¥ presence of establishing (script lacks an
establishing shot) ¥ shot widths vary (lack of variety among shot
widths and/or presence of
back-to-back wide shots and/or
back-to-back medium shots) ¥ shot lengths vary (lack of variety in shot
lengths) ¥ content fits length (too much or too little
content for the specified length) ¥ understandable production directions
(missing or cryptic instructions) |
Minor revision needed in at least one of these
areas: ¥ strategic message: (fails to follow SMP) ¥ creativity (predictable; uninspired) ¥ grammar (errors aren't made for effect) ¥ format (doesn't follow two- column format
-- not easy for producer to
follow) ¥ repetition of client/product name (fails to
appear approximately 3 times
in each 30 seconds) ¥ tone (lack of conversation tone becomes
distracting) ¥ hit and run writing (words don't coordinate
well with images) ¥ music and SFX (use of music and sound
effects are inappropriate:
off-message choices,
absent, and/or excessive) ¥ presence of establishing (script lacks an
establishing shot) ¥ shot widths vary (lack of variety among shot
widths and/or presence of
back-to-back wide shots and/or
back-to-back medium shots) ¥ shot lengths vary (lack of variety in shot
lengths) ¥ content fits length (too much or too little
content for the specified length) ¥ understandable production directions
(missing or cryptic instructions) |
Professional (ready-to-produce) quality in these
categories: ¥ strategic message: (follows SMP) ¥ creativity (original and engaging) ¥ grammar (any errors are made for
effect) ¥ format (clear two-column presentation) ¥ repetition of client/product name (appears
approximately 3 times in each
30 seconds) ¥ tone (engagingly conversational) ¥ hit and run writing (words coordinate
well with images) ¥ music and SFX (use of music and sound
effects are appropriate:
on-message, neither
excessive or deficient) ¥ presence of establishing (script has an
effective establishing shot) ¥ shot widths vary (effective variety among
shot widths; no ineffective
back-to-back wide shots and/or
ineffective back-to- back medium
shots) ¥ shot lengths vary (effective variety in
shot lengths) ¥ content fits length (ideas and word count
are appropriate for length) ¥ understandable production directions
(script is ready to give to producer) |
V. Production Production Grade: _____________
|
Incomplete |
Competent |
Professional |
Comments |
Follows script |
|
|
|
|
Sound levels |
|
|
|
|
Narrative
over lyrics? |
|
|
|
|
Length |
|
|
|
|
Stray sounds? |
|
|
|
|
TV: Variation
of shot widths, angles
and lengths? |
|
|
|
|
TV: Steady
camera? |
|
|
|
|
TV:
Well-framed shots? |
|
|
|
|
TV: Jump cuts
or continuity errors? |
|
|
|
|
Other |
|
|
|
|
A grade of "A" generally indicates a professional production. A grade of "B" or "C" generally indicates a competent production. A grade of "D" or "F" generally indicates an incomplete production. Please see reverse for more information.
Definition of Terms
for Production
Incomplete Production |
Competent Production |
Professional Production |
Revision
is needed in two or more of these areas: ¥ relation
of production to
script (significant variations) ¥ voice
(dysfunctional volume
and/or narration over music
vocals) ¥ music/SFX
(inappropriate
levels or choice) ¥
sound clarity (distortion, stray sounds) ¥
sound levels (too loud, too quiet,
or too mismatched) ¥
TV: Inadequate variation of shot
angles ¥
TV: Ineffective framing of shots ¥
TV: Unsteady camera. ¥
TV: Jump cuts or continuity errors ¥ length of
spot (too long or
short) |
Minor
revision needed in at least one of these areas: ¥ relation
of production to
script (minor variations) ¥ voice
(dysfunctional volume
and/or narration over music
vocals) ¥ music/SFX
(inappropriate
levels or choice) ¥
sound clarity (distortion, stray sounds) ¥ sound
levels (too loud, too
quiet, or too mismatched) ¥ TV: Inadequate variation of shot
angles ¥ TV: Ineffective framing of shots ¥ TV: Unsteady camera. ¥ TV: Jump cuts or continuity errors ¥ length of
spot (too long or
short) |
Professional
(ready-to-broadcast) quality in these categories: ¥ relation
of production to
script (production follows
and fulfills script) ¥ voice
(levels and no
narration over music
vocals) ¥ music/SFX
(appropriateness
and levels) ¥
sound clarity (no distortion,
no stray sounds) ¥ sound
levels ¥ TV: Effective variation of
shot angles ¥ TV: Effective framing of shots ¥ TV: Steady camera. ¥ TV: No jump cuts or continuity
errors ¥ length of
spot (comfortably fits
allotted time) |
Please note: Assessment of shot widths and lengths occurs in
the evaluation of the TV script.
Overall IAP Comments: